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Hammered acoustic bass

Bass performed with mallets, sticks and brushes. 

Includes loops and single patches

Made for KONTAKT [full]

BEATERS ON BASS

PATCHES

66

SAMPLES

2417

SIZE

4.1 GB

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BASS STRING PERCUSSION

Loops and single-notes, performed with mallets, brushes and sticks on acoustic bass guitar.

down by law - promotional film
Percussive Bass Samples on laptop
String Percussion Sounds. Brush Bass Jam
virtual bass keyboard

Loops that implies that a crime is being committed:

LOOPS:

SINGLE PATCHES:

at a glance on innovative software for musicians
  • Single note/hits instruments and loops
  • Percussive Bass Samples
  • Individual patches has +/-  20 dynamic layers X 3RR
  • Articulation switcher control by ks or cc
  • Delicious arrhythmic sound sculpts available
  • 136 performed tightly-cut loops
  • Adjustable custom ir reverbs
  • Abstract fx textures  with FX
  • 3 mic positions
  • Attack sounds etc available on separate faders
  • Intuitive user interface
DOWN BY LAW
BASS

..FORWARD MOTION

HAMMERED BASS

BASS
STRING PERC
FOR YOUR

ARSENAL

channel strip with a reset button, left-right shift, pan, stereo width, and a 4-band EQ are included

experimental bass kontakt library

Each mixer track has a channel strip where you may do additional tweaks. 

BassMallet_XY

Click [FX] and convert the sounds into something completely different.  Choose from a variety of flexible modulation options. Complex randomized serialconnected evolving textures and sound design elements. 

settings-bb2-brush-bass

“An inspiring tool for modern thriller scoring, with pulsing dark hits and cinematic low-end.” 

–J.Z

“this is gold. The grooves are insane, and it doesn’t sound like anything else out there.”

–T.M

“Wasn’t expecting to use this as much as I do. It layers beautifully under drones and pads, adds weird pulses without stealing the scene.” 

-K.

“insanely cool addition”  –BN
“Sounds absolutely amazing!”  –P Camacho
“Beautifully recorded acoustic percussive bass, though surprisingly versatile.”  -VM

“Wrongtools nailed the organic, imperfect bass-string-feel. It sounds tactile—almost like foley—but musical. I’ve already used it in a crime doc score this week.”” 

–H.C

“There’s a real sense of air and movement in these samples—nothing feels static or looped. Killer for psychological thrillers.” 

— A.B

“It grooves in a very human way. Easily the most unique bass-based library I own..” 

-W

The presets range from single-note bass-guitar (hit with different mallets) to simple tension pulses.

designing kontakt library

Comes with an elegant and intuitive user interface

a wealth of patches purpose-built for creating anxiety and pulses in film scores.

near-infinite tweakability with our mighty sound shaping tools

save precious screen space or expand the user interface

buy now, download later or instantly

FAQ :

Frequently Asked Questions

It emerged from a desire to deepen our knowledge of the more percussive sides of the acoustic bass guitar. While it’s a stringed instrument traditionally activated by plucking with fingers, nails, or a plectrum, we wanted to see what happened when we treated it as a percussive resonator and a stringed tonal loop-machine. It’s about moving away from the “expected” and finding the “unconventional” in a familiar wooden body.

Usually, you’re plucking a string to get a clear fundamental. But when activating the string’s vibration with different sets of mallets, you get a completely different transient profile. We’ve explored extended techniques where the “strike” is as important as the “note.” It’s a dive into the physics of how a large, hollow body reacts to a mallet versus a fingernail.

A dream library for film-noir, true-crime, spy-jazz and psychological thrillers!! 

 

Rhythmic Underscore: Using the brush patterns to create a sense of “clockwork” tension.

Organic Sound Design: Layering the needle “rubs” underneath synth pads for added grit.

Hybrid Orchestration: Doubling other instruemts with rubber mallet hits to add a percussive “bite.”

Unusual orchestration tools : Try the single-patches or the loops, and see what it brings of inspiration. These patches will help you get your music on more interesting pathways.


  

While the source is 100% organic, the library is designed for the modern hybrid composer. 

Someone also sent us a track, where a loop was used as a hip-hop groove, underneath vocalists rapping. 

The acoustic bass guitar has a more “contained” resonance than a double bass, which makes it incredibly punchy in a mix. Because it is basically a large guitar with bass strings

It has a faster transient response. It’s less “boomy” and more “tight,” which is exactly what you want when you’re using it for percussive, rhythmic underscore.


To use Beaters-on-Bass , you require the Full Retail Version of Kontakt 6.4.2 or later. The library requires approximately 4.1 GB of free space for installation. Note: The free Kontakt Player is not sufficient.

FEATURES:

  • Randomizing Capabilities
  • Round-robin options
  • Sample Start options
  • Keyswitch options
  • Mighty sound-shaping tool
  • UPTO 5 SIGNALS 
  • STEREO VERSIONS 
  • BONUS PATCHES
  • Percussive Bass Samples
  • Acoustic Bass Hits

INCLUDES:

Percussive acoustic bass patches for kontakt

  • 41 multi-loops patches
  • 3 instruments
  • 22 variations
  • 2417 samples

acoustic bass kontakt instrumentS WITH Single TONE hits instruments and loop patches made by playing on bass strings with different beaters – 136 tempo synced loops. 

 

Recorded and performed in a great sounding studio, with the most serious intent.

CURRENT VERSION:

1.3

The “Down By Law” and “Brush Bass” libraries combined into one. 

  • faster loading and response time
  • added channelstrips 
  • improved graphics
  • ++

1.2

  • improved general performance
  • Improved loading time
  • added scalable GUI
  • improved visuals and fonts
  • new menus
  • new lowpass slider text
Buy Now, Download Later

EXPLORE WRGTLS BASS KONTAKT LIBRARIES

Igor Stravinsky
"We have duty towards music, namely, to invent it"
Igor Stravinsky

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