Wrongtools instruments are some of the best out there. I often avoid sample libraries and enjoy making my own, but theirs
always find a way into my scores — they’re distinctive, characterful, and incredibly fast to shape. Bravo!
"We’re always excited to see a new Wrongtools VI hit the market. Every library is intuitively packaged and designed to get ideas
moving forward very quickly. We love the intimate, dry and hyper-detailed sounds that we get from Wrongtools, which show up on
nearly every project we work on."
The Blair Brothers, Rebel Ridge
Wrongtools consistently delivers instruments that feel thoughtfully designed and creatively fearless. They’re fun, distinctive, and
immediately playable, and they’ve helped me find colors I wouldn’t have discovered otherwise. It’s rare to find tools this imaginative
that also work so well in professional scoring, and I keep coming back for more.
Mervyn Warren, Grammy-winning Film Composer
The holy grail for any composer is to find a sound that feels totally familiar but
also brand new. Wrongtools does this better than anyone else.
Lindsay jones, Double Tony Award Nominee, Slave Play
I love Wrongtools for sounds that give me the unexpected amazing thing that's often more interesting than what I was looking
Jason Fernandez, shaped the music of The Beatles and Motown for Netflix ++