Wrongtools Bass Sample Libraries

Deep. Textured. Uncompromising.
Wrongtools brings a radical approach to low-end sound design with its evolving collection of bass sample libraries for Kontakt. These are not your average subs and sine waves — each instrument is an invitation into an unpolished, visceral bass world, where imperfection is a feature, not a flaw.

Whether you’re scoring Nordic thrillers, building left-field electronica, or just hunting for new sonic tools to push your productions beyond the formulaic, our bass libraries are designed to offer that elusive combination of attitude and articulation. Expect unexpected textures, modular grit, amp noise, tape wow, and deliberately unstable harmonics.

A Philosophy of Wrongness

At Wrongtools, we don’t chase clean tones. Our libraries are built from source material that’s been re-amped, circuit-bent, overstated, and sometimes mistreated. It’s about preserving the character of the sound — the rattle of the cabinet, the hum of a poorly grounded DI box, the way a filter misbehaves under heat. These artifacts become part of the performance, not obstacles to be EQ’d out.

Every library is sampled with a meticulous ear for nuance. Round robins, velocity layers, analog drift — all of it’s there. But we also leave space for the unexpected. Often, what starts as a captured tone turns into something far more expressive through creative modulation, scripting, and curated chaos.

Low Frequencies, High Personality

Our bass libraries include upright and electric basses recorded with vintage ribbon mics and tube preamps, modular synth patches gone rogue, rare European synths fed through guitar pedals, and bowed acoustic contraptions that defy classification. Some are playable and polite. Others demand you play them like an instrument on the edge of feedback.

While they’re built for Kontakt, these libraries don’t hide behind GUI gimmicks. What you see is honest. What you hear is wild. And behind every patch lies a philosophy: that bass doesn’t have to sit politely in the mix — it can lead.

Made for Composers and Sound Designers

Whether you’re working on a game score, an indie drama, or an experimental beat tape, our bass libraries offer more than low-end support — they offer low-end identity. These sounds aren’t just foundations; they’re statements.

With intelligent key-switching, expressive dynamics, and hand-crafted tone shaping options, you can use them right out of the box or dive deep into customization. We’ve included custom IRs, multi-mic positions, and even glitch-inducing performance controls, for when things need to fall apart beautifully.

Part of a Bigger Ecosystem

All Wrongtools libraries — including our bass instruments — are part of an interconnected design language. You’ll find familiar modulation systems, performance mapping, and intuitive interfaces that let you move quickly from inspiration to execution. Whether you own one library or twelve, your workflow stays fluid.

And as always, we keep the bloat out. No filler samples, no overstuffed gigabytes. Just curated sounds that serve a musical purpose.

Not for Everyone

Our bass sample libraries won’t appeal to purists or preset chasers. They’re for the producers who want to explore, the composers who want character, and the sound designers who want to leave a fingerprint. If you’re looking for sounds that behave, look elsewhere. If you want bass that lives, breathes, and sometimes breaks — welcome.

Wrongtools Bass: Low-end without compromise.