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BASS
MONO
LITHS
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WITH THE LOWS
Kontakt Bass Synth Library
low-end apparatus
Patches
387
Samples
4600
Size
5.3 GB
With the Lows consists of a huge collection of taped analog bass synth kontakt-instruments that caters most low-end needs.
First 3 banks are filled with sinus based patches. We use it for sub fundamentals and for building low-end on any kind of track
The other 7 banks have more characteristic sounds, with saw waves, left-field tape-based instruments.
Kontakt Bass Synth instruments created from vintage test-equipment, audio-oscillators, modular systems, 808s and analog synths
SPECS
- 387 Kontakt Analog Bass Synth Patches
- Created from 26 legendary synths and oscillators
- From teeth rattling subs to punchy analog bottom
- But a focus on sinus based warm taped sounds
- Instantly sounds like it has come off a record
- Should fill most of your low frequency needs
- Channel strips and Filters
- Unlimited sound sculpturing possibilities
- Pulsing Bass with LFO slider
Patches are sorted in 9 Banks
Keep going lower and lower
387 LOW END GENERATORS
Patches also blends easily with classical orchestrations and acoustic instruments, thanks to their taped and organic nature.
The mixer tracks has channel strips with optional EQ, Mono / Stereo-width and more. These are bypassed by default.
€59Add to cart
“With the Lows” preserves the essence of iconic hardware units. Its versatility spans across genres, effortlessly adapting to Cinematic Music, Ballads, acoustic arrangements, EDM, trailer machine punch, and even more avant-garde musical styles.
Play with the LFO sliders to create pulsing basses.
We dialled in mostly sounds that had a warm sinus like quality, because that is the sounds we often search for ourselves for our lows 🙂
387 synth bass patches catering a diverse range of genres, from ambient, peculiar to synthwave, but primarily easily blend-able sinus bass tones.
UI is free from evasiveness, and with advanced options available behind the controls
Vintage-flavoured musical bass sounds lovingly sampled through Neve pre-amps and Lavry AD converters. No plug-ins was used in the making.
NOTE VARIATIONS AND ALIVENESS
With the Lows offers features that allow you to shape your chosen bass-patch with realism.
Random Sample-Start As you play, sample will be played from different start points, making them feel more organic and lifelike
Round-Robin setup Normal round robins nsure that every note played is distinct and dynamic, eliminating the risk of repetitive, machine-like basslines. In addition to scripted sample swapping, where nearby samples are triggered on repeated notes, adding nuance and organic flow to your compositions.
Lows that works. Ready go.
Comes with an dark and intuitive user interface
a wealth of lowdown sounds and subs to explore
near-infinite tweakability with our mighty sound shaping tools
save precious screen space or expand the user interface
buy now, download later or instantly
“it’s absolutely stunning! The best bass library I’ve ever came across!”
–A.Alves
“A hallmark of deep excellence” -V.G
“lots of analogue goodness that adds details and just enough life and richness to the sound to make it exciting in a subtle way”
-W.F
“Sounds amazing so far. Super useful patches. Can’t wait to spend more time with it!”
–E.M
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BANKS ↓
0 Plk
I Pure
II Shorts
III Krutt
IV Saw
V Meaty
VI Sweep
VI Vibrato
VII Taped
VIII Peculiar
BANKS ↓
“With the lows” is an endless source of analogue synth sounds and subs. It includes over 4400 meticulously recorded samples. A palette of over 220 pristine patches. That will elegantly blend with the rest of your musical arrangement.
<- The Banks /
0 Plk
PLUCKS
The patches in this banks has a bit more attack or a punchy character. They are all dialled in with the optional randomiser scripts, so that each note will hear a tiny-bit different than the previous notes.
I Pure
SINUS BASED BASS
Sinus wave based bass is based on a pure and simple waveform with less harmonics, which results in a clean and clear sound that can be used for a variety of musical styles.
Sinus wave bass sounds tend to have a more mellow and subdued quality, with less aggression and more focus on the fundamental pitch. The sound can be further shaped with filters and other effects to add movement and texture, but the core tone remains smooth and stable.
In terms of musical applications, sinus wave bass sounds are often used in more laid-back genres such as jazz, soul, and ambient music, where a subtle and supportive bassline is needed. They can also be used in electronic music, but often in a more subdued and understated way compared to sawtooth wave bass sounds. These kind of a smoother and more rounded tone-sounds are great to blend with other instruments, even other bass, to make them sound fuller.
II Shorts
SHORT AND SNAPPY
A bank of bass instruments with short notes, plucks, and staccatos. Ideal for creating infectious grooves and rhythmic patterns. The short, snappy nature of the sounds allows for a percussive quality that can help drive a track forward and create a sense of momentum. The plucks and staccatos give each note a defined beginning and end, making them perfect for quick and repeated patterns. These types of bass instruments are especially useful in genres where a strong and consistent beat is essential. Can forexample be used to blend bassdrums, or to create more transient beats.
Short notes can be created from all the other banks also, by adjusting the ADSR controls.
III Krutt
WARPED / OVERDRIVEN:
Instruments in this bank are great for adding a rough and aggressive edge to any musical composition. These unapologetic sounds are characterized by their gritty, warped, and distorted tonal quality. They are often used in heavy electronic music genres like dubstep, drum and bass, and industrial, but can also be used in rock, metal, and other aggressive styles of filmmusic and momentums. They can be used to create tension and excitement in build-ups, add weight to the drop sections, or to add energy.
“Krutt” means gunpowder in Norwegian.
IV Saw
SAWTOOTH BASED
Sawtooth waveforms has a more distinctive nature and richer edgier characteristics, and can provide a wide range of overtones and create a full, thick sound that’s ideal for bass instruments. The harmonics of the waveform can be accentuated or suppressed to create a range of different tones, from bright and buzzy to deep and rumbling.
V Meaty
FULL BODIED
A bank of bass instruments with a massive sound. Often with a multi-octave nature. These instruments have been crafted to provide a meaty and full-bodied tone that will fill up the low-end. Each note is rich and powerful, with a sense of weight and authority that demands attention. The sounds are full of harmonic richness and warmth, with an inviting resonance that draws the listener in.
VI Sweep
WITH MOVING ANALOG FILTERS
A smaller bank of sounds that was recorded with moving filters and sweeps from the analog synths
VI Vibrato
WITH SOULFUL VIBRATO :
Sounds dominated by either pitch vibrato or dynamic vibratos. Recorded and tweaked organically from the keyboards
VII Taped
THROUGH WOOBLY TAPE
Pure analog synths getting squeezed and dirty through tape echo machines
VIII Peculiar
LEFT-FIELD BASS SOUNDS AND BRAUMS :
In this bank we have put bass sounds that are weird and have a certain amount of strangeness.
FEATURES:
Direct & instant download
Resizable Kontakt window
Channel strips
Custom-made in-built IRs
Online User Handbook
A huge Kontakt bass synth library covering all your low end needs. Organic, lively and organic sounding bass patches.
INCLUDES:
Recorded from a variety of low-end tone-generators, modulars and analogue synths.
- 4610 samples
- 387 bass patches
CURRENT VERSION:
v.1.1 – added 137 patches
included a glide script and improved user interface and effects
v1.0 initial release
€59Add to cart