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Sound design library in Kontakt format - free sound approach

FNUGG

FNUGG (Norwegian for “a small particle of dust or snow”) is a Kontakt library designed for avant-garde composers, film/game scorers, and sound designers. FNUGG blends field recordings, granular synthesis, and binaural drones to create evolving, abstract, and deeply tactile soundscapes.

Avant-garde Kontakt textures for pushing the boundaries of genre in sound art and post-industrial music.

It’s a toolkit for creating sounds that are both raw and highly processed, reflecting the unpredictable nature of the world.

HYBRID SCORING TOOLS

PATCHES

102

SAMPLES

1735

SIZE

4.39 GB

Modular rhythmic collages that are intricately fused with gentle, river-like electronic tones
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FNUGG’s patches are designed to morph, adapt, and defy expectations.

*) ::In Norwegian, “FNUGG” is a small particle, for example of dust or snow – that floatS freely in the air.

 avant-garde SAMPLER instruments FOR N.I. KONTAKT (RETAIL)

Fnugg - playthrough - FNUGG is a powerful and unconventional toolkit for creating sound experiences that are both meditative and dissociative, pushing the boundaries of traditional scoring and sound design.

SOUNDS :

Patches morph between the subtle flapping of a butterfly’s wings to the rumblings of an avalanche, or from two gelatinous jelly-like electric cars crashing.

Kontakt library for cinematic film scores with morphing drones and evolving textures
laptop with FNUGG user interface

RAW, RESONANT, REAL

A toolkit for film composers blending modular rhythms and abstract sonic material.

FNUGG is a powerful and unconventional toolkit for creating sound experiences that are both meditative and dissociative, pushing the boundaries of traditional scoring and sound design.

modular scoring tool for avant-garde composers

FNUGG is packed with mangled and processed cutting-edge cross-over acoustic synthesis.

settings view - image screenshot - Sound design textures for abstract and boundary-pushing music projects in Kontakt
Comtrol sound from this XY pad

Sculpt time

FNUGG’s real-time modulation facilitates tactile control over temporal flow, essential for responsive and adaptive scoring workflows.

Never before heard

Every patch is a journey into uncharted auditory territory, designed for composers, sound designers, and experimental artists who crave soundscapes that evolve, surprise, and inspire.

Kontakt library for cinematic scoring tools and modular rhythms

SPECS 

  • Synthesized Field-Recordings
  • Weirdness Generating Patches
  • Immersive Audio
  • Layers Of Granular Degradation
  • Impulse Responses
  • Arrhythmic Unlimited Sound Sculpting

Sounds oscillate between

an organic essence

and a mechanical nature.

EXPERIMENTAL SOUNDS

Spatial connectivity and repetitions

Fusing the delicate nuances of field-recordings, tiny sonic snippets, and modular synthesis intricacies.

FNUGG cover design showing granular waveform textures

Kontakt library for musicians working at the intersection of modular synthesis, noise art, and cinematic minimalism.

Patches that conventional harmony and rhythm.

Use the [FX] presets offers composers granular instruments, evolving sonic particles, and immersive binaural textures for creative film scoring.

save precious screen space or expand the user interface

buy now, download later or instantly

“The perfect clunk to your favourite moments”  — Rosa

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“…” –

FAQ :

Frequently Asked Questions

Named after the Norwegian word for “a small particle of dust or snow,” FNUGG is a master of granular synthesis textures, frequently utilizing field recordings as its source material. This unique library is meticulously designed for avant-garde composers, film/game scorers, and sound designers who demand evolving, abstract, and deeply tactile soundscapes. By seamlessly blending field recordings, granular synthesis, and binaural drones, FNUGG provides a versatile toolkit for crafting sounds that are simultaneously raw and intricately processed, reflecting the dynamic and often unpredictable nature of the world around us.

The sounds from FNUGG generate an impression of movement through space, embodying kinetic energy and hinting at the presence of bustling life forms. It is fusing raw nuances of field-recordings, tiny sonic snippets, and modular synthesis intricacies, through spatial connectivity and repetitions. 

Fnugg offers a diverse range of sounds, from the subtle flapping of butterfly wings to the rumblings of an avalanche, and from gelatinous shifts to thick, motor-oil drips. It features synthesized field recordings, weirdness-generating patches, immersive audio, layers of granular degradation, impulse responses, and arrhythmic sound sculpting. Expect a blend of organic textures and cutting-edge synthesis, designed to evolve and surprise.

Its core strength lies in experimental composition, time-based sound design, and non-linear musical structures. It excels at creating buzzling atmospheric textures, unsettling drones, and abstract sonic elements that can add a truly distinct character to your scores.


Granular synthesis is a time-domain approach to sound synthesis that constructs complex and dynamic acoustic events from many very short sound fragments called “grains.”1 Imagine it like a cinematic experience, where a rapid succession of still images creates the illusion of continuous motion. Similarly, granular synthesis takes tiny “snapshots” of sound—short wavetables—and plays them back at various speeds, overlapping and concatenating them in time.

Granular synthesis also lends itself to exploring interesting psychoacoustic effects such as “crumbling” sounds and waveform fusions, which parallel the auditory phenomena of tone separation and fusion. This makes it a powerful tool for experimental sound design and musical expression.

When crafting the FNUGG sample library, Wrongtools utilized a variety of granular synthesis techniques. Mostly different grain guitar pedals. This allowed us to transform raw sonic material into rich, evolving soundscapes and unique textures. By manipulating individual sound grains, we were able to create everything from shimmering ambient pads to glitchy, percussive elements, pushing the boundaries of what’s possible with traditional samples.

Now, if you’re lookin’ for the contraptions that make this happen, these here are some of the usual suspects. They ain’t all the same, mind you. Some hum like a refrigerator in a cheap motel, others wail like a banshee in a graveyard. Pick your poison.

Pladask Elektrisk (Fabrikat): From a cold, dark place come these. Norway, the same country as Wrongtools! This one’s for the dreamers and the drifters. It takes a little slice of yesterday and turns it into tomorrow, all hazy and worn. Good for making a loop out of a sigh or a secret.

  • Red Panda Particle 2: If you wanna know where the digital ghosts whisper, this might be their address. It’ll take your sound and stretch it, stutter it, or make it vanish into thin air. Good for the long, lonesome hum.

  • Hologram Electronics Microcosm: This ain’t just a pedal, it’s a whole junk shop of sound. It’ll make your guitar sound like it’s falling down a flight of stairs or blooming in a swamp. Comes with all the bells and whistles you didn’t know you needed.

  • Montreal Assembly Count to 5: A peculiar contraption, this one. It’s like a broken tape machine that dreams of numbers. It’ll chop things up, play ’em backwards, forwards, and sideways. Don’t ask how it works; just listen.

  • Walrus Audio Fable Granular Soundscape Generator: They say it generates “soundscapes.” What that means is it makes a lot of noise that drifts and changes, like clouds on a stormy night. If you’re into the ethereal and the echo, give it a whirl.

  • Drolo Stamme[n] V4: This one’s got a stutter. A good stutter. It’ll take your sound and make it stumble, repeat, and then fall into a deep echo. Good for when things ain’t quite right.

  • AC Noises Ricorda: They call it a “granular reverb.” Sounds fancy. What it does is take your sound and scatter it like dust motes in a sunbeam, then lets ’em float around a bit before they settle. Good for spacious haunts.


Fnugg features real-time modulation capabilities that facilitate tactile control over temporal flow and texture. This allows you to shape the sounds dynamically, making it a highly expressive tool for performance and composition.

No. But these patches are so cool to run through a step-sequencer plugin!  We find that it is better, and more groovy,  to leave this to a dedicated plug-in, which is standard in all DAWs instead of programming it into Kontakt itselves. 

FNUGG requires the full version of Full Retail Version of Kontakt 6.4.2 [or later]. It will not run in the free Kontakt Player. If you’re unsure about compatibility, see our general Kontakt compatibility guide.

Yes — some rhythmic patches, including noise loops, are tempo-synced to your DAW BPM. A few patches include round robins options. But the general focus of the library is to have as many patches as possible, with many related sounds that fit to the concept of FNUGG,  instead of multiple roundrobins that will take up diskspace.  

For patches that doesn’t have sampled roundrobins, you may find the “random Sample start” option useful, if you want each note to sound different.  Then each time you play a note, it will start to play at a different place in the sample.

It will take up 4.4 GB of free diskspace

FEATURES:

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  • Randomizing Capabilities
  • Round-robin options
  • Sample Start options
  • Mighty sound-shaping toolS

WHO IS IT FOR :

Film & Game Scores: Create original sounding music using FNUGG’s unique blend of granular synthesis and field recording samples.

Experimental Music: Deconstruct rhythms and layer contradictions for avant-garde projects.

Sound Design: Craft evolving futuristic soundsscapes that feel alive, whether for installations, VR or immersive media.

CURRENT VERSION:

initial release

  • Buy Now, Download Later
  • local taxes may apply

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About Wrongtools:

We’re a team of composers, sound technicians and electricity enthusiasts who believe in microphone positions, wires and analog electrics.

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