Our philosophy was to extract the inherent “living” and sometimes unstable nature of these vintage transistor organs, which are often overlooked in favor of more pristine or emulated sounds. By pushing them through unconventional and “wrong” gear, we aimed to amplify their imperfections and create textures that feel alive, unpredictable, and raw, diverging from typical clean sample libraries. It’s about finding beauty and utility in the grit and chaos that “overvoltage” brings.
We are keyboardists and own many rare and weird looking organs, collected from all over the world.