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Experimental organ sounds. Recorded through extensive outboard gear.
1971 Japanese Acetone GT-7 organ gone wild
Beyond authentic recordings captured through multiple signals, OZ shines with its extensive “Tainted” patches.
€49Add to cart
The library is named after the legendary club OZ that opened in Tokyo in 1972. A pioneering space for musical experiments.
While most organ libraries give you a handful of presets, OZ features a staggering 130 expertly crafted patches. This isn’t just a “one-trick pony.” We have pushed the boundaries of what a tonewheel is, and can do, moving FAR beyond standard jazz and rock settings.
€49Add to cart
PART2
TAINTED
_*
*Review in Sound & Recording
One of my discoveries from 2022 was definitely the very young sample forge from Norway, which has already released a remarkable number of fine boutique libraries in its first year.
The latest addition last year was Oz. The instrument sampled here is a Japanese ACE GT-7 organ, built in 1971 and still in its original condition to this day. Five different signals were sampled: Speaker, Room, Spring-Reverb, Leslie, and the DI signal.
In direct access, there is an additional convolution hall (with several IRs), a delay, a control for an LFO, and a separate vibrato. Everything can be fine-tuned in a submenu. A recurring element of Wrongtools instruments is an optionally displayed XY field where all sorts of sound design are hidden. Behind flowery names like Digidust, Sadist, or Huldra, you will find effects that twist the sound quite peculiarly. The whole thing can also be wonderfully automated via CC-Learn. However, it takes a bit of experimental spirit to discover everything that lies behind it.
Fortunately, many presets are already included. There are the ‘normal’ patches of the sampled instrument with its various sound possibilities, which are also combined in some multis that can be loaded.
As is usual with Wrongtools, there is then the – as I find – often more exciting part: the sound design patches. For these, the original recordings were re-recorded using external effects, pedals, amps, and tape, creating soundscapes and drones, playful tinkling, and quirky interpretations of the original instrument. (..)
If I had to criticize something, it would be that the minimalist GUIs with often very small controls are not always immediately intuitive to use. There is an enlarged view, but it is very hidden.
It’s gratifying that many of the instruments from the Norwegians are at a pleasant price level. Many cost between 30-40€, the extensive and very creative ‘Featherstone Strings’ are available as the most expensive library for 150€.
For starters, there are also some free instruments available. It’s definitely worth subscribing to the newsletter, as new freebies are said to be added regularly.
Thomas Schimmack, Sound and recording.de
the sonic footprint of the Acetone GT-7 reinvented
Comes with an elegant and intuitive user interface
a wealth of patches to explore
near-infinite tweakability with our mighty sound shaping tools
save precious screen space or expand the user interface
buy now, download later or instantly
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The second part of the library, called Reception, consist of patches coloured with tape-echos, amps and more amps + some exotic DIY hardware.
Cinematic Textures: Haunting, sustained pads and eerie mechanical drones.
A separat category of patches is dedicated to leads and sounds that will crush on any melody line.
Experimental Tones: Distorted, bit-crushed, and modular-processed organ sounds.
Patches with a shorter sustain. Double round-robin functions, lively and organic!
Percussive & Plucked: Short, rhythmic transients perfect for modern scoring.
OZ (now: version2) is a massive Organ Kontakt sample library, with some very special sounding treatments.
This library includes so much. Soooo many cool organ sounds!!
and you’ll also find upto 5 signals in each patch : internal speaker, room captured with external amp, stereo spring reverb, mini-leslie & direct signal.
As well as a collection of in-built IRs
The sampled organ is the Ace Tone GT7 —the DNA of what would eventually become Roland—reimagined through the Wrongtools lens. We’ve stripped away the dry technicalities to focus on the mechanical lineage, the odd re-badging mysteries, and the “beautifully wrong” history that birthed our OZ library.
The library is broadly divided into two main parts:
“Normal” Patches: These are the more authentic organ sounds, often featuring the ability to blend the 5 distinct microphone/line signals. They aim to capture the raw character of the Acetone GT-7.
“Reception” / “Tainted” Patches: These are the heavily processed and sound-designed versions, utilizing external effects, tape echoes, modular boxes, and various amps to create unique, sometimes distorted, ambient, or rhythmic textures. You will no longer think of these as “organs”.
This is a very colorful library, with endless possibilities in terms of combining and tweaking the sounds. It ranges from pretty normal tonewheel organ, to stuff that is so far off the beaten patch that it growls.
Our 130 patches cover a massive range of textures—from the “excellent vibrato” that Ace Tone was famous for,
Unique to Wrongtools, our custom XY-Pad allows you to morph between different tonal states in real-time, creating evolving textures that are impossible to achieve on a real organ.
Yes! Connect your midi keyboard to a laptop, and off you go!
Absolutely. Most parameters on the OZ interface can be automated within your Digital Audio Workstation (DAW) using MIDI CCs. The easiest way to assign a controller is often by right-clicking a knob or slider and selecting “Learn MIDI CC Automation,” then moving a physical controller on your keyboard or MIDI device.
Ace Tone (officially Ace Electronic Industries) was the brainchild of Ikutaro Kakehashi, the visionary who later founded Roland. Established in Osaka in 1960, Ace Tone was the laboratory where Kakehashi refined the transistor technologies that would eventually change the world. In a sense, Ace Tone is the raw, boutique ancestor of the Roland empire—the “pre-history” of Japanese synthesis.
It’s a bit of a historical “chicken or the egg” situation. While many see the Ace Tone GT-7 as a clone of the Hammond X-5, the truth is more interesting. Kakehashi founded Hammond Japan as a joint venture in 1968. Records suggest the GT-7 actually hit the market years before the Hammond X-5. So, in a delightful twist of boutique irony, the “copy” might actually be the original. We’ve captured that specific, slightly-off-center character in our 130 patches.
A TOP-1 Ace famously appears in a surreal “Japanese hoedown” scene in Godzilla and the Smog Monster, and eagle-eyed gear hunters have spotted its unmistakable silhouette in the living room of Alex DeLarge in A Clockwork Orange.
Kontakt is a powerful software sampler developed by Native Instruments. It’s an indispensable tool for composers due to its versatility, allowing you to load and play thousands of high-quality sample libraries ranging from orchestral instruments and world instruments to cutting-edge synths and sound design tools. Its deep editing capabilities, extensive scripting engine, and robust performance optimization make it ideal for crafting realistic mock-ups, complex soundscapes, and intricate scores in professional music production environments.
Since Wrongtools is continuously improving and working on their libraries, they have an Online User Handbook. To have it online, makes it easier to update.
Wrongtools libraries requires the full version of Full Retail Version of Kontakt 6.4.2 [or later]. It will not run in the free Kontakt Player. If you’re unsure about compatibility, see our general Kontakt compatibility guide.
Kontakt Player is a free, limited version designed to run “Player-compatible” sample libraries, which are specifically licensed by Native Instruments for use with the free player. These libraries typically appear in Kontakt’s “Libraries” tab and often require serial number activation via Native Access. Wrongtools libraries will need the paid “full” version.
It will take up 5.5 GB of your diskspace
(build 0.207 / Sculpt 0011)
(build 0.197 / Sculpt 0011)
Massive update with 60 new patches and improved effects.
v1.1 (build 0.192 / Sculpt 0009) :
tweak : some XY sculpt parameters didn’t load correctly on slower systems
tweak : Improved bottom row buttons
tweak : fixed mysterious blindspot in middle of UI.
tweak : Transpose/Pitchbend/Samplestart functions improved
We’ve been also working on stuff like level load times, DAW integration, menu and interface etc., improving the recognition level of all the interface button/icons.
v1.0 initial release
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€243 Original price was: €243.€145Current price is: €145.Add to cart
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